One Piece Colorspread showing Red-Hair Pirates and Young Luffy

Welcome!



Here you will find my collected fanfiction as well as a few meta-posts or other fandom-related content. The bulk of said fandom content pertains to One Piece and Metalocalypse, with a few forays into other spaces. If you read something and you enjoy it, a comment would be appreciated but is not necessary.

The vast majority of this work was posted on my LiveJournal of the same name and moved in 2017 once the climate on LJ no longer became tenable. My LJ had also contained various personal ramblings and such so some of the remaining comments on fics do refer to posts or parts of posts that I have eliminated as they referred to personal rather than fannish topics. My apologies for any confusion this may cause.

I also moved over the posts that I could remember and find on various LJ communities such as [livejournal.com profile] zosopp and [livejournal.com profile] onepieceyaoi100 among others. A few of these works have also been previously cross-posted to Fanfiction.net, AO3, and Adult Fanfiction.net. So you may have seen a few of these posted elsewhere or under different usernames.

A few notes and personal recs below:

About Spelling/Names, Times, Etc. )

A word on warnings/ratings )

Regarding Tags )


Some of My One Piece Stuff I'd Personally Recommend )


Other Bits and Bobs of Mine I'd Recommend )


ENJOY!

Title: Sting of Providence
Rating: G/PG for canon-typical violence
Pairing; None/Gen
Word Count: 1472

Nature revealed her fury in the howl of wind and the pelting torrent of rain and waves )
Volume 7 - The Crap-Geezer

Finally getting back to these after 6 years, lol. Partially due to wanting to reference the manga again before I watch more of the Netflix Live Action adaptation and partly because I felt like it.

I'm torn on the ranking for this volume within East Blue. On the one hand, Pearl is my LEAST FAVORITE character in all of East Blue. He's even more insufferable in the anime, but I find him incredibly stupid and tedious. On the other hand, Sanji's flashback along with all the drama with Gin is remarkably well done and definitely the best flashback thus far (I adore Luffy's flashback with Shanks MORE, but in terms of writing and event sequencing, I think this one's better). The anime also adds a bit more to the initial flashback; I'm recalling some underwater bits specifically, but it's been a while since I actually watched it, so I'm not sure how much that part actually adds.

I don't like the Krieg fight overall, so that is definitely coloring my impression of this volume (and the next one), but I also love Zeff, so it's a hard one to figure out.

I will say that the volume title is very fitting as just about every action in this chapter until the last 2 revolves around Zeff, either directly or indirectly, and how Sanji feels about him, along with Gin's actions in the last 2 chapters and how that relates to his loyalty to Krieg.

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Random thought - the Wano Arc of the anime thus far (up to Tonoyasu's execution) has been pretty damn good.. Aside from a handful of episodes that suffered from the usual Toei slowdown, the pacing has been great, the animation better than normal, and the excellent music and Japanese voice work as fabulous as always.

It's been so NICE to look forward to watching weekly episodes again and even having that feeling of frustration at knowing it'll be another week before the story keeps going.

I haven't found the anime to be this consistently good since Fishman Island (yes Zou was fun and nice but short in the grand scheme of things).

Also, Mr. Morj on YouTube has been on FIRE lately! Loving all his analysis work (maybe because I tend to agree with 90 percent of what he has to say, lol. You bastard, I hope you are wrong about Shanks having to die.).
Okay, I was trying to keep things in fanon that irk me off of this journal but this is something that bears saying.

Out of the original 5 Straw Hats, Zoro makes the most sense for First Mate/Vice Captain, whatever. And that is solely because he is willing to make the harsh decisions. Unfortunately, being First Mate most often means being the one to be the 'bad guy' or the 'disciplinarian' and Zoro's the only one willing to do that of the first 5. I think Sanji and Nami can often SEE the reasons why but they don't have the personality to be that person. And Usopp is great at making hard choices about himself but he's not great at seeing/applying them to OTHERS (which is not a bad thing! He's a very good person with a lot of empathy and so it's hard for him to apply shitty consequences to people outside of himself). Of the Grand Line crew, I'd pick Robin as the next best choice, but Robin, in a weird way, is getting the childhood she never had by being a Straw Hat. Just because she COULD do it doesn't mean she'd want to do it or wouldn't hold off making/saying/doing the hard stuff because of the maturity it would inflict on her when she's clearly enjoying NOT having to be that person. Jinbe hasn't technically been welcomed back yet, but at the moment he's the only other person I see as being as equally up to the job as Zoro (he might even be better because he's not as battle-hungry!). But again, I don't know that Jinbe WANTS that job (note: I don't think Zoro does either but it's a role he falls into on the basis of his own values fairly easily) or if he'd ever take it.

As for Chopper, he's Usopp x ten and his position as doctor also means that it would be against his profession to permit harm of any kind to befall others. Franky is like Sanji or Nami. He can SEE what needs to be done but it's not in his nature to push it. His family functioned basically without him even though he was the leader. He did things for himself and let them do things they wanted but it didn't seem like he was a BOSS in the traditional sense. Brook....is complicated. I think Brook, like Robin, could do the job easily. But he, too, is getting a second shot and being that mature person isn't a role he wants to take. And I sometimes question just how sane Brook actually is...he may not be fully competent to be in that position. Too, seeing as he seemed to be Yorki's right hand man, he may not want the position due to his previous relationships.

Anyway, it's not like the Straw Hats HAVE a First Mate/Vice Captain in actuality anyway. But if you look at who makes the tough choices or guides things in Luffy's absence, it's generally Zoro. So...take that for what it's worth I suppose.

Also...boats aren't a democracy. Just because Luffy knows he NEEDS his nakama for their support and their skills, and because he lets them say all kinds of things and yell at him, ultimately he's the one with the final say. The whole point of Water 7 was Usopp (and everyone else, tbh) coming to the realization that Luffy really IS the captain and he has final say. They don't vote on stuff. Everybody says their piece and then Luffy does what he wants. That's how a captain works. Hell, that's how a boss works. Someone has to have the final say. Look, I think both Luffy and Usopp made bad choices in Water 7. They misunderstood each other and they both let their emotions get the better of them. The only time that had happened with nakama in the past was with Zoro on Whiskey Peak, but Zoro is not Usopp and so he dealt with that without letting HIS emotions get away from him. However, this doesn't mean that Usopp gets to have final say about Merry. He never DID. Luffy did. He's the captain, he gets final call.

And by hiding out post-Enies Lobby, it showed that Usopp still hadn't learned that lesson. It took Zoro's ultimatum (which could have been worded better) but making Usopp see that the ship was not a democracy is what had to happen. It sucked. It sucked a lot. But it was important. Luffy's the CAPTAIN and that has to stand for something. And post-time skip we can see that everyone is much more cognizant and celebratory (while also amusingly resigned!) to this fact. Water 7 had to happen and it was a culmination of building events that led to this and it started all the way back in Syrup Village. To misunderstand this is to misunderstand how One Piece works.
Title: Disaster Days
Rating: G
Pairing: None/Gen
Word Count: 3085

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Volume 6 – The Oath

This volume is basically a beginning look at Sanji’s characterization as well as a major source of Zoro’s motivation as a character along with a smidgeon of the Nami backstory plot. That is to say, there’s A LOT happening in this volume. The volume title itself is the same as that of chapter 52, which is where Mihawk challenges/promises with Zoro and Zoro in turn makes his vow/oath to Luffy. I want to briefly go on in a bit more detail about their battle before getting back to the overview of the volume.

Here is where we see Zoro’s ‘oath’ to Luffy supplant his promise to Kuina in terms of priority. I hadn’t always viewed it as specifically starting here but given the way Zoro flashes through his various memories and ends on his discussion with Luffy when he originally shared his dream and how much Luffy approved, I now do think it is appropriate to mark this as the turning point. Zoro still wants to keep his promise with Kuina but he also has come to the realization that accomplishing this promise is going to be harder than he initially realized. Even though his dream hasn’t changed, it has to become BIGGER. And the only way he has to do that is by hitching his boat to Luffy, who has the craziest and (by other people’s standards) biggest dream of them all. Zoro’s eyes have been opened, a challenge/invitation has been given, and he can at last see the true scope of what he wants to accomplish along with an acknowledgement of the one who’ll get him there (note that Zoro had already called Luffy captain by this point but it is here where I think the full weight of that sinks in).

Anyway, to get back to the volume itself, what’s really happening is that the true peril of the Grand Line has been revealed and yet all of Luffy’s crewmates (at this point technically just Usopp and Zoro) and he himself are bound and determined to go there and achieve their dreams. Sanji, too, has a dream but it’s been kept hidden from us. The red herring is that he wants to inherit the Baratie but that will be revealed as false in upcoming volumes. We can see that Sanji has his own ‘oath’ of sorts, the allegiance he owes to Zeff and why he refuses to leave despite the abuse heaped upon him. And Zeff and Sanji have an agreement of sorts as well in the matter of feeding those who are hungry. Finally, even though there aren’t any major details, we can see that Nami is trapped and cannot vow yet to go to the Grand Line with Luffy and company even though she desperately wants to.

This is pretty good volume. I’d probably put it as my 4th favorite in East Blue. There’s a LOT of exposition and not as much action or comedy but I love Oda’s world building so that doesn’t bother me. Additionally, I feel like Oda’s art really hits its stride by these chapters and things get really fluid and nice. Finally, as I mentioned in the special notes post earlier, I am NOT delving into the Sanji->Zoro antagonism since I already did that but I AM trying to be charitable and relate what we now know about Sanji’s past to what we see in these chapters and hopefully that comes through in my notes.

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Before I get into Volume 6 and Sanji, I wanted to take a brief moment to note that I am definitely biased against Sanji and have been for a very long time. In light of the revelation from more recent chapters (see below), I am going to try my best to be more sympathetic to Sanji. This may be, in some ways, almost a self-justifying explanation/retcon by Oda, but that doesn’t mean that I can’t take it to heart when considering Sanji as a character.

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Title: Blueprints
Rating: G
Pairing: None/Gen
Word Count: 540

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Title: Crimson
Rating: G/PG for canon blood and violence
Pairing: None or the faintest smidge of Zosopp
Word Count: 526

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Volume 5 – For Whom the Bell Tolls

After last volume, which is probably in the bottom 3 for me of East Blue, now we jump to one that is in my top 3 in East Blue. Usopp finally gets to play a stronger role in his own story, the very weird tone of the battle versus the Black Cat Pirates settles on the more serious side of things rather than a bizarre mix of humor and very serious. We get to meet the dynamic idiot duo of Johnny and Yosaku, and we are introduced in a fun and fitting way to our fifth nakama.

The title comes from the John Donne poem (and then later the awesome Metallica song) and is pretty fitting. In the poem, it explicitly refers to the coming of death for each and every one of us. Additionally, the point of the poem (as opposed to the line) is in the value of each person to the community of humanity. So the title could be interpreted in several ways. One could see it as a reference to the threat to Kaya (and to the our four heroes) or even to the eventual defeat of Kuro/Klahadore and his men. But I think it works better in the wider view, the value of the people around us. In volume 5, this includes the recruitment of Usopp, the foreshadowing of Sanji’s recruitment, Zoro reuniting with his old partners Johnny and Yosaku, and Kaya providing Luffy and company with the Going Merry Go.

As an overarching theme for a volume consisting of an arc’s ending, a small interlude, and an arc’s beginning, it’s a pretty cohesive thing to accomplish with the volume’s name! I had to check and it looks like the Viz names are translations of the Japanese volume names, which I hadn’t realized before! I wonder who is responsible for naming each volume – does it fall to Oda’s editor or the Jump staff or does he name them himself or have some level of input? Anyway, this one’s quite good for the chapters in involves and Usopp gets to shine quite a bit as his introduction story wraps up.

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Title: Veracity
Rating: G/PG for canon violence
Pairing: None/Gen
Word Count: 1190

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Title: Integrity
Rating: G
Pairing: None/Gen or the barest hint of ZoSopp
Word Count: 100

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Volume 4 – The Black Cat Pirates

This is the first volume dedicated solely to battle. The other volumes had fighting but also had other sections. The theme isn’t as immediately obvious here. We do see that Usopp is clever and determined and he can take a fair amount of punishment. However he actually doesn’t engage in that much combat in this volume as he is smacked around pretty badly. Next volume will see him shining again but here most of the middle chapters don’t have much to do with him.

I find it interesting (although I kind of already knew this since ZoSopp is a THING for me) that Zoro is the one doing most of the commentary on Usopp’s skills/bravery. I don’t know if it’s for contrast/similarity between them or because Luffy is out for half the volume or why exactly but I do think it Is interesting given future (Water 7) developments. There’s probably some other key elements in this volume related to how Kuro is seen by his crew in that he’s definitely a person they’re afraid of.

This is also a very slapstick battle despite the seriousness of its cause. Luffy and the hypnotism and all the cat puns and the general stupidity (L+Z getting lost, Nami using Zoro to escape and trapping him, Nami throwing the caltrops the wrong way, Usopp trio’s attack) make this fight have a weird tone. Buggy and company were themed and equally weird as hell but somehow they came off a little more serious overall. Only Kuro is serious in this fight and it makes the balance of the volume’s tone a little off to me.

Anyway, this is probably near the bottom of East Blue volumes, although there’s at least 1 or even 2 volumes for the Krieg fight that are worse. I just think tonally there’s something a bit off and, for being Usopp’s arc, he doesn’t have a lot to do for big sections of this volume.

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Title: A Boastful, Bossy, Busybody – That’s Our Captain!
Rating: G
Pairing: None/Gen
Word Count: 1,085

I adore the Usopp Pirate Crew kids! )
Volume 3 – Don’t Get Fooled Again

Due to the way chapters are included in the various volumes, sometimes story arcs will be split up. Last volume, there was a definite theme, but the overall name of the volume didn’t really have anything to do with the theme. This time around that is not the case even though parts of two arcs are included.

The obvious element of the name of the volume to the theme is Usopp and Klahadore/Kuro, but the bits with Buggy and Gaimon also work into the theme/name. Buggy ‘fools’ his original crew into thinking he eats the devil’s fruit but then actually DOES eat it due to his own shortcomings. Gaimon spends twenty years defending a treasure that isn’t real only to show that he had discovered a different treasure all along. Usopp is the ‘boy who cried wolf’ but the real wolf is Klahadore/Kuro. Hypnotism features as well, something else that can be considered a ‘fooling’ technique.

There’s a lot in this volume again about Oda setting up expectations for what pirates do/are, both the Shanks/Luffy sort and the Buggy/Kuro sort. Luffy (and the audience) needs to not get tricked into losing sight of what many pirates are really like but at the same time need to realize that the lies that are told are sometimes more valuable than the truth. There’s a lot of good stuff in this volume but I think the next one really solidifies Usopp’s character while this one’s more about his backstory.

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Title: Aesthetics Aren’t Everything
Rating: G
Pairing: None/Gen
Word Count: 589
Theme: Darkness/Shadows
Style: Horror (comedy)

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Title: Just This Once
Rating: G
Pairing: None/Gen
Word Count: 794

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Title: Dauntless
Rating: G/PG - there's blood but it's canon-levels of violence
Pairing: Gen or the beginnings of Zoro->Luffy
Word Count: 494

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Volume 2 – Buggy the Clown
Best guess on publication year is 2003 actually since the survey at the back has that copyright in it

Overall, the theme of this volume is the Straw Hat Pirates’ definition of treasure versus more traditional pirate definitions of treasure. Volume 1 was about dreams and this is about the ‘treasures’ that will lead to or accompany or signify the accomplishment of dreams. In volume 1 we learned that Zoro’s swords were his treasures. In this volume, Luffy will identify his hat as his treasure. Mayor Boodle will identify the town and its people his treasures. Chou Chou will identify the pet store that had belonged to his deceased owner his treasure. In a small way, Mohji will see Richie as his treasure. Nami does not explicitly identify her treasure, but she says she only loves treasure (money) and mikans (the symbol of her treasure).

Buggy, on the other hand, explicitly defines treasure as gold and jewels. He also expresses an interest in power, stating that wealth can make one a king. I can’t remember if Buggy left Roger’s crew before Raftel or not. If not, this could be some the earliest foreshadowing of the true nature of the One Piece. In keeping with the tie between dreams and treasure, our heroes show that they are willing to fight to protect their treasures as the symbols of their dreams.

Chapter Notes )
So, as part of the OP re-read I'm undertaking, I decided to write at least 1 drabble about something in the volume that interested me, even though the drabble itself may go outside the confines of what was actually IN the volume.


Title: Sustained
Rating: G
Pairing: None/Gen
Word Count:691

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Title: Active Duty
Rating: G
Pairing: None/Gen
Word Count: 492

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And now the notes minus Chapter 1 since I gave them their own post

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I'm doing a re-read of the whole One Piece series via the English Viz manga editions and taking some notes. There's probably gonna be stuff on Tumblr, too. I took extra notes on Chapter 1 for obvious reasons (Shanks and company). Find them behind the cut.

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Prompt: Nun
Word Count: 427

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